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"KE KÉ HÉ KÉ" by François Essindi


"KE KÉ HÉ KÉ" by François Essindi is a captivating piece that seamlessly bridges the gap between traditional Ekang culture and contemporary musical expression. From the very first note, Essindi's mastery of ancestral instruments is evident, creating a soundscape that transports listeners to the heart of the equatorial forest of Southern Cameroon. The track opens with the resonant call of the Nkul, or tam-tam d’appel, an iconic drum used historically for communication in Ekang society. This deep, rhythmic pulse establishes a connection not only with the music but with the cultural heritage that it represents, setting the stage for a journey through sound and time.


Essindi's performance on "KE KÉ HÉ KÉ" is both a tribute to his ancestors and a demonstration of his skill as a musician and luthier. The use of traditional harps like the Mvet and Ngomo, along with pygmy flutes and the mouth bow, showcases a rich tapestry of sounds that are seldom heard outside of their cultural context. Each instrument is played with precision and passion, creating layers of melody and rhythm that are both complex and deeply evocative. The inclusion of unconventional instruments, such as snail shells and leaves, highlights Essindi's innovative approach to music-making, where the natural world is seamlessly integrated into his artistic expression.


The song’s inspiration, derived from the NDANE—a traditional method of calling people using onomatopoeia—adds an additional layer of cultural significance. "KE KÉ HÉ KÉ" is not just a song but a re-enactment of an age-old practice passed down from Essindi's grandfather. This personal connection imbues the piece with an emotional depth, making it a living piece of cultural heritage rather than a mere musical composition. The repetitive, almost hypnotic quality of the calls within the song invites listeners into a participatory experience, echoing the communal aspect of Ekang traditions where music and communication are intertwined.



In live performances, François Essindi's "KE KÉ HÉ KÉ" becomes an even more immersive experience. The participatory nature of his concerts, where audiences are encouraged to join in, transforms the listening experience into a collective journey. This engagement not only highlights the universality of music but also underscores the communal and inclusive spirit of Ekang culture. Through his art, Essindi acts as a cultural ambassador, fostering a deeper appreciation and understanding of his heritage while creating a space for cultural exchange and dialogue. "KE KÉ HÉ KÉ" is thus a powerful testament to the enduring relevance of traditional music in the modern world, and a celebration of cultural identity and legacy.



Graham writes

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